Street Prophets

The Rosy Crucifixion, or, The Comfort Of The Apocalypse

Fri Aug 08, 2008 at 01:33:44 PM PDT

Oh, dear. I wish people would just ask me when they want to know about things like the Apocalypse. It'd save a lot of fuss and bother.

You do realize I'm kidding, right?

Anyway, to answer Amanda's question, it's not actually so much about being afraid of death or wanting to be a part of something significant. Then, as now, the apocalyptic is about the comfort of knowing that the world is moving toward a meaningful and just end. The genre has always appealed to the kind of people who perceive themselves to be getting screwed over, and continues to speak to them today.

rmj asks a better question, then: why is the apocalypse so American?

So why are we so fascinated with end times and apocalypse? Largely because it puts us in control. Hal Lindsey wrote a book almost 40 years ago which asserted the Battle of Armageddon would most certainly be between America and the USSR. Oops. Now he says Barack Obama is almost certainly the anti-Christ. Uh-huh. Why is he saying these things? Well, probably because it means he is in control of the future, that scary time no one can see but that we all are racing to live in, because that's the time when finally everything will be better! And we think that because of Christianity? No; because of the Industrial Revolution, becuase of our indomitable faith in "progress," in our power and authority over the material world which will, finally, yield up the "intelligent machines" and the consumer products which will eliminate hunger and want and poverty and greed and usher us, finally, into the future envisioned by Star Trek, where magical devices produce meals and clothes and houses and all of the creature comforts, simply by transforming "energy" into "matter." And where does that energy come from, and how do we circumvent the law of conservation of matter? Easy! Technology! Progress! Science!

Uh-huh.

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Just so: America has always been the land of possibility, which has given birth to a relentlessly sunny optimism. But the flip side of that optimism, of those possibilities, has been the doomsday sureness that we have once and for all blown it.

That mix of hope and anxiety with not a little dead sexiness thrown in there is very American, and for that reason, I've always that Henry Miller, the quintessential American novelist - or whatever the hell he is - is also the quintessential American apocalypticist, even if Kurt Vonnegut did a pretty good job in his own right:

It is Sunday, the first Sunday of my new life, and I am wearing the dog collar you fastened around my neck. A new life stretches before me. I begins with the day of rest. I lie back on a broad green leaf and I watch the sun bursting in your womb. What a clabber and clatter it makes! All this expressly for me, what? If only you had a million suns in you! If only I could lie here forever enjoying the celestial fireworks!

I lie suspended over the surface of the moon. The world is in a womblike trance: the inner and the outer ego are in an equilibrium. You promised me so much that if I never come out of this it will make difference. It seems to me that it is exactly 25,960 years since I have been asleep in the black womb of sex. It seems to me that I slept perhaps 365 years too many. But at any rate I am now in the right house, among the sixes, and what lies behind me is well and what lies ahead is well. You come to me disguised as Venus, but you are Lilith, and I know it. My whole life is in the balance; I will enjoy the luxury of this for one day. Tomorrow I shall tip the scales. Tomorrow the equilibrium will be finished; stars. It is well that you promise me so much. I need to be promised nearly everything, for I have lived in the shadow of the sun too long. I want light and chastity---and a solar fire in the guts. I want to be deceived and disillusioned so that I may complete the upper triangle and not be continually flying off the planet into space. I believe everything you tell me, but I know also that it will all turn out differently. I take you as a star and a trap, as a stone to tip the scales, as a judge that is blindfolded, as a hole to fall into, as a path to walk, as a cross and an arrow. Up to the present I traveled the opposite way of the sun; henceforth I travel two ways, as sun and as moon. Henceforth I take on two sexes, two hemispheres, two skies, two sets of everything. Henceforth, I shall be double-jointed and double-sexed. Everything that happens will happen twice. I shall be as a visitor to this earth, partaking of its blessings and carrying off its gifts. I shall neither serve nor be served. I shall seek the end in myself.

I look out again---my first full gaze. It is blood-red and men are walking about on the rooftops. Everything above the horizon is clear to me. It is like Easter Sunday. Death is behind me and birth too. I am going to live now among the life maladies. I am going to live the spiritual life of the pygmy, the secret life of the little man in the wilderness of the bush. Inner and outer have changed places. Equilibrium is no longer the goal---the scales must be destroyed. Let me hear you promise again all those sunny things you carry inside you. Let me try to believe for one day, while I rest in the open, that the sun brings good tidings. Let me rot in splendor while the sun bursts in your womb. I believe all your lies implicitly. I take you as the personification of evil, as the destroyer of the soul, the maharanee of the night. Tack your womb up on my wall, so that I may remember you. We must get going. Tomorrow, tomorrow. . . .

Whew.


Tags: Apocalyptic, Henry Miller, Miscellany (all tags)

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